Some people say that when you’re about to die, you see your whole life flashing before your eyes, like you’re watching a movie. Others say that you see angels. Some talk about out-of-body experiences. These different theories have one common characteristic: it’s supposed to be a cosmic experience.
It’s all bullshit. I didn’t see any movie. I didn’t see any angels. No out-of-body experience. As the bullets were flying around me, all I could see and hear was Mom screaming at me, “Shame on you, Pablo! To die wearing dirty underwear! How could you do this to me?” There was definitely nothing cosmic about that.
I had picked a seat opposite to the entrance, with my back to the glass wall. That way I could observe the whole restaurant. I had been doing that since my nightmare started two days before: never sitting with my back to the door, always keeping an eye on everything happening around me, looking out for cops or killers.
The moment I saw the guy coming through the door, I knew that he was trouble. Big trouble. His eyes looked weird. As he walked in, I scanned him from head to feet. I saw the bulge under his sweatshirt, and instantly knew that it was a gun. Bells started ringing in my head. The Colombians found you, boy. You’re dead. You can run but you can’t hide. But then I noticed something strange: he was a redneck. Blond and blue eyed.
Not the Latino killer I was expecting. Could he be an undercover cop? No, he didn’t look like a cop. Unless he was a cop on drugs.
Title: On The Run
Author: Izai Amorim
Genre: Literary Fiction
New York City, early 1990s: a young, rich, and well-educated Central American man on the run from the police and Colombian drug dealers. He is accused of crimes he didn’t commit. Ready to do what it takes to survive, Pablo ironically embraces the very drug trade that threatened his life in the first place. Who is he?
What is he really capable of? The question of identity is at the heart of On The Run. More than a contemporary story of survival, it’s a journey of self-discovery.
Pablo’s voice is funny, sometimes mean and merciless. He moves with nightmarish ease from recounting his adventures to recollecting his early life. Not always politically correct, On The Run gives you an insightful, twisted, humorous, and often disturbing view of conflicting worlds and beliefs: North and Latin America; black, brown, and white; rich and poor; rational and esoteric—and shows how they mix, match, and clash.
“Make me think, make me laugh, make my day!”
That’s why Izai Amorim reads and writes books. He has great interest in the interplay of media, information, and politics in a globalized world and the quest for identity and borders in a worldwide cultural melting pot.
Izai was born and raised in Brazil but spent most of his adult life abroad, briefly in the USA, mostly in Germany. He was trained as an architect and worked many years in this profession. But his real passion is story telling. At some point in his life he decided to mix storytelling with architecture, changed professions, and became a branding consultant, something that he loves and has been doing to this day.
His first novel, The Games (2013), is a humorous but dark, even mean, political thriller. This mother of all conspiracies shows how information is processed to create and spread the stories needed to establish power structures not accountable to anyone.
My personal site: http://www.izaiamorim.com/
Book site: http://www.izaiamorim.com/ontherun.html
Book on NetGalley: https://s2.netgalley.com/catalog/book/90218
Amazon UK (Paperback)
Amazon UK (Kindle)